Showing posts with label Victorian clothing. Show all posts
Showing posts with label Victorian clothing. Show all posts

Wednesday, October 22, 2014

Victorian Maternity Blouse circa 1890, Appropriate for Deep Mourning


This early ready-to-wear mourning maternity blouse dates to circa 1890. It is simply one of those worth saving...an article of clothing that is worthy of historical study. 
Although in very poor condition overall, the blouse was made by one of the first ready-to-wear clothing companies and was also designed for maternity wear. This alone makes it unusual and noteworthy. The blouse also documents not only mourning in fashion history, but mourning for those who could not easily afford to follow fashion etiquette dictates at that time. 
During the Victorian era, there were strict social rules about the length of time spent in mourning. According to several fashion magazines from this period, full mourning could last as long as three years according to etiquette. This depended upon the woman’s relationship to the deceased and could even dictate what a woman wore if she even felt the slightest grief for a friend’s passing. Finally, a woman would enter a period called half mourning where small amounts of white, gray or violet colored accents were allowed. If there were multiple deaths to mourn during this time, a woman could spend many, many years of her life wearing only black clothing. 
Fashion couturiers responded by opening shops that sold only mourning attire. The specialized clothing was costly to families whose social and business statuses were often judged by what they wore. 
“Deep” or “First” mourning were the terms used for the immediate time following a beloved’s death. It was well documented that only lusterless fabrics were acceptable for wear. No decorations were allowed except for simple tape bands. Indeed, this blouse was made for the beginning stages of Deep Mourning and was also designed to accommodate the final stages of pregnancy. Yet, the wide silk lace around the bottom was added by the original owner well after it was first purchased. Likely, it was added after yet another death and during yet another pregnancy. 
Victorian fashion and social etiquette considered a woman’s pregnancy bump somewhat vulgar. However, there was little one could about this during the final months for most women and so maternity blouses were required. The need was answered with ready-to-wear designs sold through mail order catalogues for those who could not afford to have one specially made. 
This blouse has a ready-to-wear label that reads Better Made, Trademark. This label helps to identify when it was originally sold, circa 1890. The blouse was worn time and time again. It was also mended and altered many times by its original owner. Furthermore, it was passed on to yet another woman who wore a slightly different size and who also needed a maternity mourning blouse. 
If one takes the time to count the seams, it is obvious that this blouse was resized, reshaped, mended and altered to accommodate more than one pregnancy as well as more than one death. The blouse was used so many times, in fact, that it would have been considered in poor condition over a century ago. However, these many alterations make it all the more rare today. It is certainly filled with history and stories that we can only guess through examining its seams and the fabric it is made from...fabric worn so thin, so long ago, from use. For instance, one cannot help but speculate that the reason why the front of the blouse is worn so thin is because the area seems to outline where more than one baby rested in the arms of the wearer.
The blouse sparks the imagination. Simply to touch it makes wonder as to whom it originally owned it and what their circumstances were. It is a rare find, even in this condition. The Gilded Griffin shop typically does not carry items in poor condition under any circumstances. In fact, items must be in outstanding, excellent condition or above to be considered for inventory here. Yet, this worthwhile piece of American women’s history is being offered because it is so unique, and we hope that it will find an appreciative new owner.


Condition and measurements: The silk is shattering in several areas over the blouse. It has been altered from the original state several times. The flat braid decorative banding is original, but the wide lace was added after its original purchase. The slightly puffed sleeves are shattering at the elbows…that is, where the elbows were before the sleeves were shortened over a century ago (please see photographs). Several pleats have been altered by the original owner(s) and the silk is shattering where the original folds were located. The mid front plaque was added later by its last owner. There are mendings by the original owner(s). The original hook and eye closures are intact. The neckline and inner yoke are faced.
The blouse is in poor condition and is not strong enough for wear. It is excellent for research, study and pattern measurements. The sleeves measure approximately 22 inches or 56 cm in length. The shoulder width is approximately 17 inches or 43 cm from shoulder seam to shoulder seam. The waist circumference is 10.5 inches or 26.8 cm. The hemline around the bottom (the sweep) is approximately 83 inches or 211 cm. The bust area measures approximately 49 inches or 124.5 cm in circumference as the blouse widens from the neck. The neck opening is 21.75 inches or 55.3 cm. 

Rare Civil War Garibaldi Blouse circa 1863, Hand Sewn Used For Maternity Wear


This exquisite, loose fitting blouse is dated by its silhouette to circa 1863, American Civil War. 
A treasure...the style is called a Garibaldi blouse and this particular one is utterly perfect...truly gorgeous condition. There is no indication that this blouse was ever worn. It has been stored away in wonderful condition for well over 150 years. 
One cannot help but wonder why.... With pieces like this, everyone wishes for a provenance, but in this case, that will forever remain a mystery....


Please take out your loop or magnifying glass because you will want to take the time to examine those unbelievable, meticulous hand stitches. Truly, this blouse was created with masterful workmanship that took hours upon hours to create. 
The blouse is made from checkered linen woven in a cross-barred pattern. This fabric was popular during the Civil War era and was created when a heavier cord than the rest was woven at regular intervals in both the warp and weft direction.  The blouse features 4 perfect mother-of-pearl buttons down the front and one at each wrist. The buttons have hand carved lines on each, like a sunburst around their centers. The hem and seam treatments are utterly superb. Hand-made silk lace edges the collar, wrists and high neck, which is also typical of the Garibaldi style. 
The blouse is exceptionally loose around the bottom compared to other styles of this era, and designed to blouse out from where it tucks into a tight waist. The style features dropped shoulder seams that became ubiquitous in both blouse and bodice styles during this era. 
However, this particular blouse has only four original buttons down the front, which are placed slightly higher than usual, and the pattern flares wide at the bottom. This appears to have been designed for the latter months of maternity, which would be quite sensible planning for a fashionable mother-to-be during the early 1800s. The bottom hem, or sweep, is measured to an impressive 62-5/8 inches or just under 159 cm. 
Authentic...yet, this antique linen blouse was obviously never worn. 
It was designed for a petite woman, which is most evident in the neck measurement. This is a circumference, when buttoned at the top, of only 12 inches or 30.5 cm. 
Thankfully, it remains absolutely perfect after one and a half centuries and will make a beloved addition to any discerning museum or privately held collection. It is truly rare to find an authentic garment in such magnificent condition without spots, snags, stains, holes or storage odors. 
The outer edge of the wrists measures 5-7/8 inches or 15 cm. The measurement across the back from the dropped sleeve seam to sleeve seam is 20 inches or 51 cm. The length at the front, from the top button to the base of the garment is 21-1/4 inches or 54 cm. The circumference of the blouse, where it begins to dramatically widen at the bustline, is 40-1/2 inches or 103 cm. 

Victorian Lapis Lazuli Blue Silk Beaded Purse or Reticule


Artists prefer a particular color of blue in their palette over all the others. It is rich to the eye and costly. 
Artists know that this particular color of blue makes hearts beat a little faster. It is a rich blue that draws the eye instantly, even from quite a distance away. It is a royal, expensive color and this is the very color of this purse. 
Lapis Blue. 
The purse is perfectly lined and features the original hand mirror that it was initially designed to hold. The little mirror is backed and stitched permanently inside the reticule with silvery gray moirĂ© taffeta. 
The mirror’s reflection, however, is marred due to time. Although it is not cracked, chipped or otherwise damaged, it has an antique crackled glass appearance across its reflection because of the irregularities of the silver coating originally used in its manufacture. 
Yet, there is something surreal and beautiful when you peer into the mirror…because whether we admit it or not, there is that quiet wish that you might actually see the original owner peering back.

 

The purse or reticule dates to circa 1885. It is absolutely sublime…strong enough for use...but we caution collectors that its long-term value lies in the fact that it is in such gorgeous condition. 
The bag will make a stunning, eye-catching museum display. This is certainly a most special example of a reticule style from the Victorian era. 
The actual purse is 9 inches or 23 cm long and measures 6-1/2 inches or 16.5 cm across at the opening. The base is 6-7/8 inches or 17.5 cm wide. The corded handles alone in measurement are 6.5 inches or 16.5 cm. The purse's total length, including handles is approximately 19.5 inches or 49.5 cm.

Thursday, October 16, 2014

A Portfolio: The Gilded Griffin


Original photography & text copyright 2015 J. Henri


     •••• Please use images and text with appropriate citations. ••••



Thank you!

This portfolio has been created to document the images and descriptions used within my online shop. This is where many of the antique and vintage hats, clothing, accessories and fine textiles that have been used in our research are sold. The Gilded Griffin shop supports the work we are doing on written projects about historical fashions and the women’s millinery industries.

If you would like to see more...
simply Google

The Gilded Griffin

for a link to the shop's current location 
or 

go to

http://www.rubylane.com/shop/thegildedgriffin

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Monday, September 15, 2014

Rare Antique Victorian Boots Were Target Marketed to Women Involved with Suffragette Movement


These Victorian boots are shiny, black and look as though they were only worn yesterday. Their brand name, Sorosis, is stamped on the interior of each boot. This label has a documented history indicating that these were styled by the shoe company with the women's suffragette movement entirely in mind.

Suffragettes tended to be fashionable women and used their chic style to attract attention to the women's rights movement. The workmanship is sublime. The soles are in wonderful condition. These boots are over 115 years old and they will certainly delight the eye and inspire the imagination.

The boots have the Sorosis brand name stamped on their interiors. This name was first introduced in 1897 by the company that made them, A.E. Little Shoe Company. The boots date to circa 1898 based on their style, silhouette and the typography used in the company's brand logo.

According to Pam Peterson at the Marblehead Museum and Historical Society at Marblehead, Massachusetts:



"The name "Sorosis" refers to the most successful shoes made by A.E Little Shoe Company, Sorosis shoes for women. The name Sorosis is derived from the ancient Greek word for sisterhood and was also the name of a famous women's suffrage group of the late 19th and early 20th centuries." -- See "Marblehead 101: The Sorosis Farm" To find this, simply Google the name as listed here for an immediate link.

There are 19 pairs of lacing holes, which are made from enameled paint covered metal eyelets. Their total height is 10-1/4 inches or 26 cm. The shaft height is 7-7/8 inches or 20 cm. This measurement begins at the point where the heel is connected to the leather upper at the back of the boot, ending at the top. 
Finally, the approximate length of the sole is 11 inches or 28 cm. The widest part of the sole is 2-3/4 inches or 7 cm.